Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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GENTILESCHI, Artemisia
Self-Portrait as the Allegory of Painting fdg

ID: 06822

GENTILESCHI, Artemisia Self-Portrait as the Allegory of Painting fdg
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GENTILESCHI, Artemisia Self-Portrait as the Allegory of Painting fdg


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GENTILESCHI, Artemisia

Italian Baroque Era Painter, 1593-1652 Tuscan painter, daughter and pupil of Orazio Gentileschi, b. Rome. She studied under Agostino Tassi, her father's collaborator, who was convicted of raping the teen-age Artemisia in 1612. Over the years, she has been portrayed as a strumpet, a feminist victim or heroine, and an independent woman of her era and her life has been fictionalized in several novels and plays. In purely artistic terms, she achieved renown for her spirited execution and admirable use of chiaroscuro in the style of Caravaggio, and during her life she achieved both success and fame. In 1616 she became the first woman admitted to the Academy of Design in Florence. About 1638 she visited England, where she was in great demand as a portraitist. Among her works are Judith and Holofernes (Uffizi);   Related Paintings of GENTILESCHI, Artemisia :. | Judith Beheading Holofernes (detail) sdg | Susanna and the Elders gfg | Self-Portrait as the Allegory of Painting fdg | Birth of St John the Baptist dfg | Judith Beheading Holofernes dfg |
Related Artists:
Mendham, Robert
English, active 1821-1858
Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
Francesco Peluso
Italian, 19th century






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